Audreal V 30 in Test

The Audreal is V 30 very carefully and high quality. The test shows whether the sound of tube amplifier is just as high quality.

Decency can be learned by far eastern models. Especially by the manufacturer for decades in the University City of Chengdu Xindak, of its products in this country under the label sells Audreal. Teurerer brings Cayins A 88 T MK II 28 kilos on the scales, shall settle over the V 30 for nearly 1,600 euros with 24. And the 88S beckons the signals with an old venerable large 6SN7, the Audreal with the more modern and smaller ECC 83 holding back good priced fair.

The Retros with bakelite base are used but still in the driver stages. A triode system of double tube on the compound of the cathode foot points forcing the others to follow, with the same large deflection (but not signed) they prepare the control menu for the output tubes.

Audreal V 30: Construction

Xindak/Audreal attempt to score then but still secretly the output stages employees per channel with two KT 88 in the push-pull . Instead of the 500 Volt Nichcons Audreal bought just a handful of 300-Volt electrolytic capacitors of the equally renowned Japanese specialist Rubycon, in pairs in series switch to them (two of them got even a cylindrical honor dwelling front between the tubes). That suggests what the AUDIO measurement cube on a higher voltage and more steam out, also confirmed. In this respect lacks the V 30 neither on a very solid line transformer nor the obligatory pretty shield – in the Audreal made of steel with a cover made of thick aluminium it.

Similar to elegant effect the two output transformer, where the measurement technology allows an insight into the philosophy of Xindak tubes. A discreet treble rolloff and a resonance peak at quite high, no longer audible frequencies suggests that the engineers in Chengdu placed greater value on the efficiency than on the frequency response. Also they use quite obviously only a minimum of negative feedback, which helps the amplifier to the particular distortion spectrum (with equal high first and second, and distance to higher harmonics) and the individual character of sound.

As already shown by Cayin, Xindak employees also wire the sound-sensitive zones around the ceramic base and moldings around laboriously by hand – to leave without even a single visible cold solder joint. Textile insulating tubes are used for the connections of the signal interlinked Film capacitors. Of the three input relay out expensive (Brown) Profi coax cable to a full-blown Alps motor potentiometer and from there further to run the input tube. Needless Xindak takes into consideration the other, like accessories. Gold-plated, screwed individually with the rear cinch Sockets or extra massive speaker terminals, which only WBT has no joy. And last but not least a chic, turned full aluminium transmitter.

Audreal V 30: hearing test

I won, is also extremely comfortable even on critical boxes such as the Sonics Allegra – – the sound. With pithy foot drum kicks and downright adventurous E bass gallops into the depths of listeners swept away V 30 almost faster than the large Cayin. While the bass is further advanced in the foreground, the Audreal the height comparatively pushed back a bit. Therefore the wind came not quite so triumphantly to their usage, the instruments were not so confident and not so individually and freshly polished brass shiny from the group.

The final verdict on the Audreal but ultimately depended on the songs. There, about the Bach overtures of the Freiburg Baroque Orchestra (harmonia mundi) benefited from the gravitas of the Audreal. He left the Cellis more dignified, the violin rejoicing at all sweetness never deteriorated. Is another plus: When Dominic Millers ‘November’ (Q-Rious), the dangerous steel string messy remained ear clean – without losing the flair.

On the other hand: When Sandy wool ash most listeners want then but still direct it. The fans who are grooving tubes, but be not leibe by Audrals price/wattage hit to hold.

 

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